| Rev. of Arab Modernities: Islamism, Nationalism, and Liberalism in the Post-Colonial Arab World by | Abdullah Al-Dagamseh | Socialism and Democracy | 26 | Taylor & Francis/Routledge | 2012 |
| Trans. of "A Speech by the Red Indians” by Mahmoud Darwish. | Abdullah Al-Dagamseh & Mohammad Al-Jayyousi | Pass-Words: Poems from I Speak the Password Primeval | 1 | PAresia Press | 2009 |
| A Historic and Ecstatic Moment of Triumph Made in Egypt | Abdullah Al-Dagamseh | Indiana Gazette and Universitas | -- | | 2011 |
| 9/11 and Arab Spring: A Moment of Reconsideration | Abdullah Al-Dagamseh | The Indiana Gazette & The Penn | -- | | 2011 |
| The Grotesque and Physical Degeneration in Franz Kafka’s The Metamorphosis | Abdullah Dagamseh and Faisal Rawashdeh | Rupkatha Journal on Interdisciplinary Studies in Humanities | 10 | Aesthetics Media Services | 2018 |
| Economic Globalization and New Imperialism: Resistance in Robert Newman’s The Fountain at the Center of the World | Abdullah Dagamseh and Wissame Boukemache | The International Journal of Literary Humanities | 17 | Common Ground Research Networks | 2019 |
| Inverse Apocalypse in Don DeLillo’s Falling Man. | Fadia Suyoufie and Abdullah Dagamseh | Arab Journal for the Humanities | 36 | Kuwait University | 2018 |
| Book Review of World Literature and Geographies of Resistance | Abdullah Dagamseh | Modern Language Review | 114 | Modern Humanities Research Association | 2019 |
| Khaled Hosseini's A Thousand Splendid Suns as a Child-Rescue and Neo-Orientalist Narrative" | Abdullah Dagamseh and Olga Golubeva | Comparative Literature and Culture | 19 | Purdue University Press | 2017 |
| Adiga's The White Tiger as World Bank Literature | Abdullah Dagamseh | Comparative Literature and Culture | 15 | Purdue University Press | 2013 |
| Neoliberal Economy: Violence of Economic Deregulation in Mohsin Hamid’s Moth Smoke | Abdullah Dagamseh and David Downing | Dirasat, Human and Social Sciences | 43 | University of Jordan | 2016 |
| Cutting through Syria’s Silence: Trauma in Khalid Khalifa’s "No Knives in the Kitchens of this City" and Asaad Almohammad’s "An Ishmael of Syria" | Abdullah Dagamseh, Muna Al-Taweel, Jamie Barker | The International Journal of Literary Humanities | 19 | Common Ground Research Networks | 20/04/2021 |
| Cutting through Syria’s Silence: Trauma in Khalid Khalifa’s "No Knives in the Kitchens of this City" and Asaad Almohammad’s "An Ishmael of Syria" | ---- | ---- | 19 | The International Journal of Literary Humanities | 2021-04-21 00:00:00 |
| The Camera Lens: Representation, Authenticity, and Manipulation in Penelope Lively's The Photograph and J. M. Coetzee's Slow Man | Amel Benia, Abdullah Dagamseh, Fadia Suyoufie | College Literature | 48 | Johns Hopkins University Press | Winter 2021 |
| Institutionalized Religion and Ambivalence in Charlotte Brontë’s Jane Eyre | Abdullah Dagamseh | The Arab Journal For Arts | 16 | The Society of Arab Universities Faculties of Arts | 2019 |
| A Systemic Functional Grammar-Based Critical Discourse Analysis of Jamaica Kincaid’s Lucy | Osama Omari, Kheira Harchaoui, Abdullah Dagamseh | Jordan Journal of Modern Languages and literatures | 12 | Yarmouk University | 2020 |
| J. M. Coetzee’s Waiting for the Barbarians Revisited: From Apartheid to Neoliberalism | Abdullah M Dagamseh | Sage Open | 12 | Sage Publications | 2022 |
| Title: Camus’ Oran and Saramago’s Blind City: A Representation of the World during the COVID-19 Pandemic | Abdullah Dagamseh, Zainab Odaibat, Ghada Sasa | he International Journal of Critical Cultural Studies | 21 | Common Ground Research Networks | 2022 |
| What to Pack? The Semiotics of Be-Longing(s) of Syrian Displaced Women | Fadia F. Suyoufie and Abdullah M Dagamseh | Refuge: Canada’s Journal on Refugees | 39 | York University | 2024 |