| Assume Your Product is Bad: Teaching Graphic Design in Jordan | Inas Alkholy | International Journal of Multidisciplinary Thoughts | Vol.1, Issue 4 | | 2011 |
| Is the Reception of Emotional Expression in Visual Art Global? | Inas Alkholy | International Journal of Humanities | Vol.7, Issue 3 | | 2009 |
| Time in Vermeer’s Life and Art As Demonstrated in His Milkmaid and Lacemaker | Inas Alkholy | Jordanian Art Journal | Vol. 1, December | | 2008 |
| Using Hypermedia for Teaching Baroque Interior Design As Seen in Dutch Paintings | Inas Alkholy | International Journal on Emerging Technologies in Learning | Vol. 5, No. 3 | | 2010 |
| The Atrocity of Wars: Expression of Victory and Defeat, Art as Documentation and Propagation | Inas Alkholy | International Journal of Humanities | Vol. 6, Issue 3, October | | 2008 |
| A Middle Eastern Re-reading of Western Narrative Art | Inas Alkholy | Third Text, Routledge | Vol. 22, Issue 4, July | | 2008 |
| The Presence of the Book of Knowledge in Raphael's Fresco: The School of Athens | Inas Alkholy | Comparative Islamic Studies, Equinox | Vol 2, No 1 | | 2006 |
| Dialectic Between the Styles: Gautier's Poem and Couture's Painting | Inas Alkholy | Abhath al-Yarmouk | Vol. 19, No. 2B | | 2003 |
| The Development of the Formal Relation Between Sculpture and Architecture: Classicizing Elements in | Inas Alkholy | Abhath al-Yarmouk | Vol.18, No. 2B | | 2002 |
| The Picturesque Landscape in Baroque Painting and Music | Inas Alkholy | Art & Sciene: Research Studies | Vol. 12, No. 2, April | | 2000 |
| The Influence of Euclid's Music Theory on Raphael's Architectural Background of The School of Athens | Inas Alkholy | Arts & Science: Research Studies | Vol. 11, No. 1, January | | 1999 |